Throughout the week of 22 – 27 March 2011, Birmingham will be treated to an eclectic programme of film and performance from Flatpack Festival and Fierce Festival, who’ve announced that they’ll be sharing dates next year.

Flatpack’s fifth festival will celebrate and take film to unexpected places; where new film fraternises with silent cinema and archives are re-imagined. Expect live soundtracks, workshops, installations, offbeat family screenings and a vintage mobile cinema which will roam across the city.

Fierce Festival returns after two years and the appointment of new Artistic Directors Laura McDermott and Harun Morrison.  True to tradition, spectacular projects and public interventions will collide with the kind of agenda setting performances and wild parties on which the festival’s ten-year reputation rests.

The full line up for each of the festivals is expected in February 2011, so keep an eye on their websites over the next few months, www.flatpackfestival.org / www.wearefierce.org

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That title should perhaps be capitalised, but I’m not sure whether it’s a Proper Thing or just a loose kinda ‘it’s complicated‘ thing*.

Anyway, I’ve had an invite to the launch of a publication celebrating the ‘vitality, innovation and diversity’ of this group that comprises:

[* not sure what I'm implying here]

**UPDATE**

Ah, it is a Proper Thing, I’ve found a blog post about it and a picture too:

BIFG

We’ve never had a caption competition on CiB as far as I can remember. Just a thought…

**Another UPDATE**

Ask and you shall receive – this was submitted to the CiB email address:

jj_brum
Splendid.

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Synth Eastwood come to Birmingham for the Flatpack Festival. They turned up early, ran around taking photos (some in the CiB Shop – hello Aaron and Pete) and used them in the visuals for their show.

This video (spotted by More Canals) explains things better:

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A bit of voting

12th
Jun
2010

Ian and Pip from 7 Inch Cinema/Flatpack Festival have been nominated for The Hospital Club 100 which is:

a search for the most influential people in the creative and media industries, with the emphasis on current contribution and importance, not just the size of someone’s celebrity status, profile, bank balance, titles or past reputation

I’ve no idea what the award would mean but they say it’ll make their mums proud, which is good enough reason for me. Besides, Ian and Pip are good souls who do some good work. Speaking of which, they have some events coming up.

Trawling down the other nominees, I spotted Sue Collins in the ‘Art’ category. The blurb says this about her:

She has recently just completed a her first solo museum show at IKON in Birmingham, and in response was dubbed by the Mirror as the ‘worst artist in Britain’

Which was enough to secure my vote.

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An article on the Guardian’s film blog has asked:

Can Birmingham’s eclectic lucky dip of a festival help rejuvenate its Digbeth base?

That festival being Flatpack. Now, I was always told that if the title of a newspaper article asks a question then the answer is most likely ‘no’. In this case, the answer given is revealed to be more like ‘well, first of all Digbeth needs a cash machine, some residents, public transport, a post office and some street lighting’. Which is fair enough.

Hanging the cultural hopes of  an entire area on one annual festival (no matter how good) was a bit of a reach anyway.

On another matter, two parts of the article jumped out:

Amazingly, points out George Clark, a curator who put together Flatpack’s Build Them in the Mind programme of short films, Birmingham still lacks a proper arthouse cinema. This in England’s second-largest city.

Which is true but needs tallying against Ian Francis saying:

“I hate it when people say Birmingham is apathetic” about film and culture, he says. “The interest is there”

Which is also true.

That there’s only one independent cinema in Birmingham is a bit of a shocker, but mac reopens soon and don’t forget the Light House is only just up the road.

Even better, there are quite a few people getting off their backsides to put films on away from the multiplexes. Film nights are rife – off the top of my head there’s Moving Pictures, Juniper Cinema, Kino Concrete, Filmrats, Popcorn, the Animation Forum events, BIFS, Screen Sunday at The Plough and occasional things at The Sunflower Lounge. Those are just the ones I can remember, too. Pretty much all of those are in pubs, which isn’t always going to be ideal and they’re unlikely to show the latest releases, but I think Ian’s right about apathy not being the problem.

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I’ve not talked about the shop very much which seems a bit remiss of me. As well as lots of things to spend your money on we’ve been using the space for other things.

We had Flatpack in last week – they gave out brochures and also installed David Hurley‘s installation ‘A Thought. An Afterthought‘. This week International Dance Festival Birmingham are taking up residence to promote the impressive line-up they’ve assembled.

For Good Friday and Easter Saturday Sarah Loves… has arranged for Sam Pierpoint to take up residence in the shop window:

Sam takes a plain pair of shoes of your choice and transforms them into original works of art entirely unique to you. Transporting her studio to the window of the temporary Bullring shop she will be inviting people to engage with her process and inspire new designs

But c’mere, there’s more. The following weekend the shop will be hosting a knit-in by Stitches and Hos. Click the link for all the info. Here’s the eflyer thing for it:

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Multi-coloured lines are starting to appear all over the place. That’s Ikon Eastside above. They’ve got plenty of things happening there. Check out the rest of the schedule too and cop some tickets.

Other folks have written about what to see:

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That’s ‘sting’ with a small ‘s’. See below.

I’ve not had much of a chance to check out the Flatpack Festival schedule yet. All I know is that it will be superb and will be worth attending to the fullest possible extent.

For example, the first thing I’ve looked at is a talk by Barry Purves:

Barry has animated and directed many prominent television series such as The Wind in the Willows, Rupert Bear, Bob the Builder and worked on feature films like Mars Attacks and King Kong. His own, often controversial, animated films have won over sixty major international awards and received OSCAR and BAFTA nominations

Which sounds ruddy impressive and interesting to me.

Also, just up on the Flatpack blog is the little sting that’ll be featured between screenings. It was animated by David Mourato, uses an original design and sound editing by Dave Gaskarth and Birmingham City University‘s Visual Communication department were involved in some way too.

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flatpack2010web

Ooh, nice.

More info (but only a little).

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Best laid plans

16th
Mar
2009

Last weekend was one the most exciting and eventful of the year, but unfortunately I have come down with a nasty bug which meant I missed it all. I had plans to don my reporters hat and head off to see internationally revered film maker Mike Figgis speaking at the Boilerhouse (Thursday) Flatpack Festival (Friday / Saturday / Sunday) and The Haunting (Friday night). It seems I am not the only one Nicky from Digbeth is Good has also missed out on all the fun due to the mystery bug.

Floodgate KinoFloodgate Kino by sharl

Thank goodness for Flatpack’s guest blogger Eleanor McKeown. London based Eleanor works for quarterly cinema magazine Electric Sheep and popped up from the capital to experience the weird wonderment of Flatpack Festival, and to stay in the historic back to backs. Her very specific knowlege base and the fact she is an out of towner makes for interesting reading, though photos to illustrate the words would have been nice.

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Last Thursday I joined a rowdy bunch of art buffs, film lovers and the Flatpack devotees on the Flatpack Festival installation trail. The trail started at 5.30pm at Urban Outfitters with an introduction from Flatpack director Pip and representatives from the Universities involved in the project. The festival starts tomorrow with ‘Curzonora’ at Town Hall, and the trail runs until 15 March.

The quality of the student work produced went beyond my expectations, which shows when students are given the opportunity to show work outside of University buildings and away from cosy degree shows things can get very exciting for both artist and art lover. I know when I was on a Fine Art degree course I thrived on finding unusal sites to exhibit my work and my practice was all the better for it.

I think it is easy to underestimate how much it means to students when they get asked to participate is such projects and how much they can get out of it. I commend Ian and Pip at Flatpack, and the Universities for taking the time to put this together as I thoroughly enjoyed it.

Following on with my latest obsession with maps, I have put together the installation trail as a Google map with photographs and links to videos I took of the artists introducing the work on the launch night:

View Larger Map

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Something strange is happening in the city. Shop window sale signs appear to have been mysteriously replaced with intriguing footage and tributes to long forgotten figures.

flatpack1

All will be explained on Thursday evening’s launch of the shop-window installation trail from Flatpack Festival. The Trail starts at Urban Outfitters [map] from 5.30pm. A tour will take the party around the shop locations on the night, ending at COW Vintage in Digbeth around 8pm. Tessa Burwood’s has written more about the trail for the BBC website.

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