Flatpack and Fierce have barely begun, but I’ve already been taking a sneak peek of a few of the things they’ve got going on, including Symphony of a Missing Room, the Vintage Mobile Cinema and a trip over to the Dirty End.

Yesterday morning I headed over to Birmingham Museum and Art Gallery, for a visit unlike any other. I wasn’t quite sure what to expect from Symphony of a Missing Room by Lundahl & Seitl, feeling slightly apprehensive as I was given a pair of wireless headphones, blindfolded and led cautiously around the museum by sounds, voices and a mysterious hand. The whole experience was what I can only describe as dream like, and had me leaving feeling like I’d been awoken from a deep, disorienting sleep.

So far it’s been receiving plenty of rave reviews on Twitter, who all seem to be able to put the experience into words so much better than I can. If you want to check it out for yourself, book via the Fierce website, it’s definitely one to give a go.

Last night also saw the launch of both Flatpack and Fierce, at VIVID, which has been transformed into The Dirty End. Along with live music from Juneau Projects, they had a few tasty treats and cocktails on offer which will apparently be sticking around for most of the festival.

The Vintage Mobile Cinema had it’s first Flatpack outing this afternoon in Victoria Square, where it gathered quite a few admirers. The 22 seater restored mobile cinema, originally toured British factories from 1967, promoting modern production methods. As one of only seven made, this gem is the last standing after being brought back to life to tour the country once again.

With it’s cosy little interior, complete with red cinema seats, it feels rather like a mini Electric. I was also treated to a clip of Buster Keaton’s silent film Sherlock Junior (1924), which is being screening tomorrow night at the Town Hall, accompanied by live organ and piano.

If you fancy hopping aboard, the vintage mobile cinema will be at Handsworth Library on Thursday, Birmingham Markets on Saturday, and Cannon Hill Park on Sunday. Take a look at whats on across the weekend over on the Flatpack site.

I’ll try and update this post with other Flatpack & Fierce adventures, but in the meantime let us know which events you’ve made it to and what should be on our ‘must see’ lists.

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Flatpack and Fierce 2011

It’s festivals a gogo with the Fierce and Flatpack festivals kicking off today with a whole load of interesting stuff coming to Birmingham between now and Sunday.

You’ll no doubt have done the decent thing and booked up a load of tickets for both of these already but, if not, there should still be time. I’ve had a nosey through the programmes and reckon that I’ll be going to the following:

Tuesday:

Wednesday:

Thursday:

Friday

Installations and ongoing things that I’ll try to catch when I can:

All subject to having to work to do and so on. Plus I’m not around this weekend, which is a shame because there’s some ace stuff happening.

What are you going to be going to?

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Tomorrow, I’ll be at The Public for the showcase event of the DCD Programme. In case you’d not heard of it:

Arts Council England West Midlands’ Digital Content Development (DCD) Programme is a three year programme of investment which aims to catalyse the creation and creative use of digital content platforms for arts organisations across the West Midlands region

The website went up recently and the map on the homepage shows some of the projects, along with how much money they received. Further information is due on the website at some point, but if you look at the page source then you can glean a little more. On the basis that you probably don’t want to ruin your eyes, here’s what I found:

  • Birmingham Repertory Theatre – Towards the development of an online multi-user playwriting resource (£27,884)
  • Pesky People – Development of a multiplatform approach to venue access information (£25,000)
  • Leamington Spa Art Gallery & Museum – PostCart: creative digital access of art gallery and museum collections (£24,750)
  • Library of Birmingham – Development of an Alternate Reality Game for young people (£23,750)
  • Talking Birds Theatre Company – Development of The Difference Engine – a multiplatform real time access tool. Some mention of it here (£1,500 + £20,860)
  • The Play House – Develop an online resource to match the company’s participatory ethos (£22,349)
  • Eastside Projects and Birmingham City University – Piloting a 3D online art gallery (£22,000)
  • The MAC – Playground: exploring the use of digital technologies in a new-built art centre (£20,500)
  • Royal Shakespeare Company – Creation of a new digital arena for the creativity of the RSC. Pretty sure this was Such Tweet Sorrow (£20,000)
  • Audiences Central – To develop a web platform and plug-in for cross regional arts marketing (£18,000)
  • B Arts – Development of a new form of arts centre/collaboration (£17,380)
  • Rhubarb Rhubarb – To create an online evaluation tool (£17,000)
  • Shropshire County Council – Citizen Journalism (£15,612)
  • Rideout – To explore the production of creative digital content engaging youth crime statistics (£15,000)
  • Radio To Go – A collaboration with the British Library to pilot an online music archive. Called The Pilot Project (£13,750)
  • Rosie Kay Dance Company – To create an online version of the touring production, 5 Soldiers (£12,500)
  • Indigo Ltd – The development of a pilot online platform exploring new forms of crowd-source fundraising in the arts (launching soon and called Angel Shares) (£11,750)
  • Wolverhampton Arts & Museums / Black Country Museums – Research and Development of a collaborative online resource for the Black Country Museums (£10,550)
  • Black Country Touring – Exploration of enhancing a site specific, theatrical experience through live streaming (£10,348)
  • Multistory – To create a new media platform for celebrating local stories as part of place-making (£10,235)
  • Fierce Festival – Towards a Viral Online research game (£8,253)
  • Birmingham Opera – Exploring new models of ownership and sales of published works (£6,737)
  • Borderlines Film Festival Ltd – Experimenting with mScapes technologies (£5,600)
  • Orchestra of the Swan – Research and development towards a strategic plan (£5,000)
  • Capsule – To support digitally enhanced new marketing and distribution opportunities (£4,880)
  • Welsh National Opera – research and development of phase one of iMaestro. To allow Welsh National Opera to research digital copyright law and the possibility of exploiting full-length opera samples under the Creative Commons license (info about that here) (£4,600)
  • Ikon Gallery – Towards the development of a social media project (£3,500)
  • The Other Way Works – Professional development around Augmented Reality and Transmedia (£2,575)
  • Ex Cathedra – Market development, engaging an online music aggregator (£1,323)
  • Dance Consortium – Exploring social media in relation to contemporary dance marketing (£1,000)
  • MADE – To explore the use of digital platforms in placing making (£1,000)

As well as these projects, the programme supported a range of other activities including workshops, innovation labs and other events.

I’ve heard of one or two of these projects, but the vast majority are new to me so it’ll be interesting to hear a little more. I should probably also add that I’m involved in the Rosie Kay Dance Company project – that’ll launch next week so I’ll blab a bit more about it then.

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Throughout the week of 22 – 27 March 2011, Birmingham will be treated to an eclectic programme of film and performance from Flatpack Festival and Fierce Festival, who’ve announced that they’ll be sharing dates next year.

Flatpack’s fifth festival will celebrate and take film to unexpected places; where new film fraternises with silent cinema and archives are re-imagined. Expect live soundtracks, workshops, installations, offbeat family screenings and a vintage mobile cinema which will roam across the city.

Fierce Festival returns after two years and the appointment of new Artistic Directors Laura McDermott and Harun Morrison.  True to tradition, spectacular projects and public interventions will collide with the kind of agenda setting performances and wild parties on which the festival’s ten-year reputation rests.

The full line up for each of the festivals is expected in February 2011, so keep an eye on their websites over the next few months, www.flatpackfestival.org / www.wearefierce.org

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That title should perhaps be capitalised, but I’m not sure whether it’s a Proper Thing or just a loose kinda ‘it’s complicated‘ thing*.

Anyway, I’ve had an invite to the launch of a publication celebrating the ‘vitality, innovation and diversity’ of this group that comprises:

[* not sure what I'm implying here]

**UPDATE**

Ah, it is a Proper Thing, I’ve found a blog post about it and a picture too:

BIFG

We’ve never had a caption competition on CiB as far as I can remember. Just a thought…

**Another UPDATE**

Ask and you shall receive – this was submitted to the CiB email address:

jj_brum
Splendid.

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Intrepid reporter that I am, I went along to the Fierce Start Party last week to see what Laura and Harun, the new artistic directors, are planning for the next 12 months.

If you’re not familiar with Fierce they’ve been responsible for some of the most weird, wonderful and worrying live art presented in Birmingham over the past… well, ever.

The event was covered by this is tomorrow who’ve collected together audio, video and some photos, including this interview with Laura McDermott:

and this general summation of the whole thing:

Strikingly, the artistic-directors do not know the content of the next festival, due to commence in February 2011. Over the next ten months audiences will be able to follow the development of these projects as they emerge in response to a series of visits to the city. The fruition of these journeys will culminate in the festival.

The Fierce Festival Caravan of Artists 2010-11 (as they’re calling it) includes Eitan Buchalter, Sheila Ghelani, Stan’s Cafe, Plan B, Lundahl&Seitl, Quarantine, Jeanne van Heeswijk, James Webb, Kira O’Reilly, Dominic Johnson, Manu Luksch & Mukul Patel, Denis Tricot and EXZYT.

A nice touch was the loyalty cards they handed out to everyone who attended. Some super sleuthing tells me that dates for forthcoming Fierce events are:

  • 24-26 April 2010 – Fierce Interrobang 1: Regeneration
  • 24-26 September 2010 – Fierce Interrobang 2
  • 11 November 2010 – Fierce Countdown
  • 22-27 February 2011 – Fierce Festival

And if you don’t know, now you know.

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Typical.  I write a post about the Fierce Earth blog and what happens?  A few hours later Helga Henry, managing director of Fierce Earth, uses that same blog to make a couple of key announcements – the biggest of which is that:

at present I think it’s fair to say that there will not be a Fierce Festival in 2009 but that we will aim to produce 2-3 large scale ambitious public projects throughout ‘09, one of which may be at the festival time. Our partners too, may still want to programme audacious and risky work in May and June, and we will certainly be working with them as usual to promote performances if they do.

We’d like to deliver a bigger, more ambitious programme, and it may take some time to sort that out.

So it’s not all bad and a reflection of their ambitions more than anything.  It’s worth reading the whole post for more about the whys and wherefores but, as Helga says, watch the blog for developments.

There’s also information about Fierce’s Creative Learning work and the announcement that:

We’re considering announcing a call for projects and inviting ideas for innovative and exciting creative learning projects with people who would be willing to partner Fierce Earth

So if that sounds like something you’d be interested in then that’s another reason to watch that space.

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Something I only found out about recently is that Fierce have a live art training and mentoring project. As part of this year’s festival six West Mids artists will be presenting works-in-progress at The Edge on Thursday 29 and Friday 30 May.

By all means investigate what’s going on with each but hopefully there’ll be plenty to just drop in and see, which is what I’ll probably do.

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In the video for Amnesty International’s Unsubscribe campaign, Birmingham-based artist Jiva Parthipan ‘played’ the part of a detainee subjected to waterboarding. That is, for a short while he was actually subjected to it with the treatment (judged by the Bush administration not to be torture) filmed in slow motion at 1000 frames per second.

The video has generated a great deal of coverage and no small amount of controversy. You can see it for yourself here:

Jiva is giving a talk at BIAD on 14 May and will be performing a piece called ‘The Terror Of Living‘ at Warwick Arts Centre on 21 May, both as part of the Fierce Festival.

His own website is at www.jivajiva.com.

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The line-up for this year’s Fierce! Festival, the international performing arts festival, has been announced and can be seen on the events page of their newly updated website. You may recall that a significant number of acts were chosen via a public vote and these have now been programmed into the wider festival too.

The opening party will be held at The Vaults on 16 May and promises burlesque cabaret from Miss High Leg Kick and Fierce’s favourite DJ Joe Egg. Entry is free but you’ll need to RSVP as capacity is limited.

In the lead up to the festival there are a few events being held on Wednesdays at 2pm at BIAD:

I’ll go into the specifics of this year’s festival a little nearer the time but the main programme runs from 21 to 31 May, with a bewildering array of shows and events in that time.

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