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15 July 2011 was the first anniversary of Birmingham not winning the title of City of Culture 2013. An odd thing to celebrate maybe, but Radar Magazine used it as an opportunity to get a load of people to talk about the creative or cultural experience that had most impressed them over the past year.

I could’ve mentioned any number of things, but in the end I gave a nod to Birmingham Opera Company‘s really-very-excellent-indeed Othello.

Others went for the 4am Project at Birmingham Central Library, Birmingham Royal Ballet, Lundahl & Seitl at Fierce Festival, Companis, Flatpack Festival and the Soweto Kinch Quartet.

Radar Magazine - A Year in the Life

I can’t find a copy online – if there’s one floating about then please add a link in the comments.

Actually, speaking of CoC 2013, have the plans for the “six-week Autumn Festival which will have the significance of the Edinburgh festival and Paris Autumn Festival” been officially binned? I remember statements to the effect that it was going to happen regardless of whether Birmingham got the title or not, so strong were the arguments in favour of going ahead.

Still, as has been pointed out, there are quite a few festivals happening in October already.

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Just a quick one to say that BBC 2 are broadcasting a double bill of Birmingham Opera Company this Saturday, 19 Feb. You can catch Verdi: The Director’s Cut at 3.25pm and Othello at 4.25pm – 7pm.

Verdi: The Director’s Cut – Graham Vick prepares his production of Verdi’s Aida for Bregenz Festival on the banks (and sometimes in!) Lake Constance. The film maker, Andy King Dabbs then followed Graham Vick to Birmingham to document the creation of another new Verdi production, Othello, with Birmingham Opera Company in the Argyle Works, a former factory, in Digbeth.

Othello – a broadcast of the Birmingham Opera Company production in its entirety starring Ronald Samm as Othello – the first time in a professional production in the UK the role has been sung by a black tenor. He is joined by Stephanie Corley as Desdemona and Keel Watson as Iago and the Birmingham Opera Company Orchestra & Chorus is conducted by the distinguished UK conductor Stephen Barlow.

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CiB celebrated it’s fourth Birthday, a stir was caused when a leaked document of recommended cuts to local art organisations sparked concern over their future, and legendary Birmingham promoters, Leftfoot, celebrated their 1oth anniversary.

Birmingham Royal Ballet and mac managed to raise a decent amount of money through The Big Arts Give, while Moseley Folk and OxjamBrum ended the year with a Christmas Ceilidh and Flatpack released a few highlights set for their 2011 festival.

We also featured a few independently made Christmas cards by local designers, took a look at what can be expected from the new Library of Birmingham interior and the much anticipated budget for Birmingham art organisations was announced by Birmingham City Council.

As the year drew to a close, Rhubarb Radio made a plea for help, the 2010 Twitpanto production of Jack and the Beanstalk took place and we took a look at what Birmingham’s creative minds had come up with for the festive season.

Christmas Day television treated us to Birmingham Royal Ballet, with a prime Christmas dinner slot on BBC1, while Birmingham Opera Company also made it onto BBC4 for post dinner relaxation.

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Merry Christmas from one and all at Created in Birmingham!

To be honest, I’d be surprised if anyone is reading this (and to be even more honest, I wrote this a few days back anyway) but, in case it’s timely, here are a few things on TV that you might be interested in today:

  • Birmingham Royal Ballet’s Cinderella, BBC2 at 3pm
  • Best of European Opera 2010 (ft Birmingham Opera Company’s Othello), BBC4 at 7pm

Screen WM have done a round-up of the festive stuff they’ve been involved in, including The Brothers McLeod’s The Moon Bird (Christmas Day, 12.40am on Channel 4 – oh, bit late for that, sorry), the new series of Upstairs Downstairs (Boxing Day, 9pm on BBC 1), Toast (30 December, 9pm on BBC 1) and, later on in January, the return of Hustle.

If you’ve got some vouchers burning a hole in your pocket then Soulboy and Nativity are out on DVD.

On the radio side of things, Robin Valk’s Handsworth Evolution will be played on 30 December on BBC WM.

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Wedding of the year

21st
Nov
2010

The Wedding

(photo by Pete Ashton)

I saw Birmingham Opera Company’s staging of Stravinsky’s The Wedding on Friday night – the dress rehearsal, to be precise. Claire Ferrell has commented on our previous post to say:

I attended this last night, the performance was absolutely incredible. I am a huge fan of Birmingham Opera Company, they blow me away every year. We are so lucky to have such an exciting organisation in Bham.

And I have to say I absolutely agree. It was great, and had more ideas, cheekiness and more serious things to say packed into its 30 minute running time than just about anything else I’ve seen this year.

A proper review of the show won’t be worth me writing – if I’m honest I’m still not quite sure what happened. I hardly remember the music and had no idea what was going on most of the time. Everything was going on most of the time. It was more an installation than anything with the cast (hundreds of brides and grooms) running riot throughout AE Harris.

Things started as soon as we started drifting into the building, with the cast getting into character and assuming odd positions all over the place. I know I’m not the only person to have taken this picture:

Man in a bucket

And to think this was ‘just’ a quick little thing to fill the gap before a bigger production in the spring of next year. Can’t wait for that.

Now I think of it, there’s been quite a bit of Stravinsky around recently. BRB included The Firebird in Russian Steps in 2008 and the 3D audiovisual spectacular version of The Rite of Spring will be at the Symphony Hall next year. Anyone for Petroushka?

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Stravinsky's The Wedding

This weekend Birmingham Opera Company will be presenting Stravinsky’s The Wedding at A E Harris. The experimental performance will last half an hour, as audiences are drawn around the space, with no formal seating and performance area.

The Wedding is a screaming, shrieking, flat out masterpiece with its rhythmic drive and unique sound world – 4 virtuoso pianists on grand pianos, a dazzling array of percussion, 4 soloists and a chorus. Written as a ballet in 1923 for Diaghilev’s Ballet Russes, Stravinsky drew on Russian traditions to conjure up a vivid and intense depiction of the old ways, and the not so old!

Performances take place on Friday 19th November 8.30pm / Saturday 20th November 7.30pm & 9pm / Sunday 21st November 4pm & 5.30pm.

Tickets are £7.50 (£5 concessions) and can be booked through The Ticket Sellers on 0844 870 0000

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Fiona Cullinan‘s been pointing her picture box at rehearsals. Set on Flickr here.

Wedding opera rehearsal-3

Info about The Wedding here.

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The BBC are doing a big season of opera stuff including:

a behind-the-scenes look at Graham Vick’s productions of Aida and Othello

In fact I’ve just noticed that BOC have announced that:

Birmingham Opera Company’s Verdi’s Othello and a documentary on the work of Graham Vick are to be broadcast in June 2010 on BBC 2

Which is good. I remember hearing that the BBC came in to film Othello during it’s hugely fantastic run at the end of last year but I also heard it didn’t go quite as planned. Looks like everything turned out alright after all.

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I’m disappointed I missed a talk by Birmingham Opera Company‘s Graham Vick at the Barber Institute yesterday lunchtime. I need to keep a closer eye on what happens over there (and maybe, y’know, get round to visiting at some point).

Anyway, Ian from 7 Inch Cinema went along and has blogged his notes. Lots of good things there, including:

The arts in the UK are blighted with fearfulness, conservatism, reactionary ordinariness. Our job is to build a more exciting, bolder future than the past has been. There is no such thing as tradition. The earth never stops moving. Stasis is a delusion. Be open to changeability.

Meanwhile, BOC are a currently rehearsing a new mini-production of Stephen Oliver’s ‘A Man of Feeling’.

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I’m not about to do a full on ‘best of’ thing, but there was plenty of goodness about in 2009:

And plenty more besides, although nine months away from CiB (and a fair amount of time out of the country) meant that I was slightly more out of touch with some of the smaller-ticket stuff.

What did you enjoy?

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There was a good showing for Birmingham on last week’s Culture Show. It’s available until Friday 11 Dec, so there’s still time to catch it.

Birmingham Opera Company were featured (at 11mins). Othello is currently racking up rave reviews in a manner approaching unseemly – 5 stars in the Guardian and Times and the Birmingham Post described it (somewhat inaccurately, seeing as how it’s sold out) as ‘unmissable’.

Dice Productions also made it onto the show in a feature on online comedy (at 51mins):

Message in a Bottle was included in a little montage during Josie Long‘s segment on the rise and rise of online comedy, which focused squarely on Funny or Die UK and Popcorn Comedy, in which we’ve had a little more active role through October’s Electric Cinema screening. Ian’s giggling face was also spotted on the show enjoying Popcorn Comedy at the Roxy Bar and Screen in October

So hurrah and more of this kind of thing.

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