From time to time a disgruntled promoter will write something accusing the people of Birmingham of being an apathetic bunch who’d rather stay at home than go out and have a good time. See this post from a year ago for an example.

James Cook has joined this cohort with a post titled ‘Why the Birmingham comedy scene repeatedly dies on its hole…‘. His gripes are that (and I apologise for paraphrasing):

  • research shows that residents of Birmingham are the most risk averse in the country. We have a drinking culture, but not much of a ‘going out’ culture. This makes things difficult for promoters
  • there are too many poor quality comedy night charging people good money to see new, unpaid acts. These nights are rubbish and will put people off ever going to a comedy night again

I don’t claim to know too much about this – I go to the occasional stand-up show, but I don’t have James’s experience of the local comedy scene and he’s not the first to have made this complaint. However, from a lay punter’s point of view, I was under the impression that if comedy’s your thing then Birmingham caters for you pretty well. We’ve got:

In terms of general promotion, we’ve got a dedicated comedy website and (almost?) every year the Birmingham Comedy Festival draws a ring around a load of shows happening over the space of a month and shouts about them.

That seems like a pretty healthy spread to me. Certainly a good deal more than many other towns and cities can claim. Does it constitute a ‘scene’? If not, is it just the audiences for the smaller gigs that are missing, or something else?

I’d be interested in hearing what people think. Or, seeing as how he started the discussion, leave a comment on James’s post.

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Alexandra Theatre‘s summer 2010 brochure is online now and you can have a browse through it here.

A notable highlight from the programme is the acclaimed Monty Python’s Spamalot, which comes to the Alex in the winter. Even better, if you book your tickets for before 31st August 2010 you’ll get £5.00 off per ticket. Nice.

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