Performing Arts

RoguePlay members Kim Charnock and Lorna Meehan are bringing the trials and tribulations of working as an actress to the stage, taking ‘Portrait of An Actress…‘ on tour around Birmingham.

Portrait of An Actress As… explores the relentless struggle between artistic integrity and agreeing to underpaid roles just to add to the CV through a shamelessly bitchy collection of comedy sketches.

Along with the three date schedule, they’re also hosting a comedy improvisation workshop in conjunction with the show, with a session of ‘whose line is it anyway’ type games, providing hints and tips for great comic performances.

Follow the links below to book tickets for the following dates and for more information;

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The Woods

23rd
Feb
2011


‘The Woods’ is a performance project currently on at mac, created by Jane Packman Company and developed locally at Highbury Park and mac.

It’s been on for a few weeks already, and has attracted over 4000 visitors so far, with a free installation exhibition open throughout the day, along with a performance which tuns until 27 February.

The installation allows visitors to explore the sensory space of The Woods, influenced by woodland and the architecture of the gallery. With its provocative nature, the space offers space to invert or project your own narratives or scenarios.

Influenced by an autumn spent under the trees, nature writing and personal stories of letting go, this brave and moving performance tells a story of loss and transformation.

The Woods is intense and poetic – using narrative and gentle audience engagement to create an immersive experience which takes you deep into the richly textured world of the woods and the imagination.

Performances run daily until 27 February, tickets can be booked online via mac’s website.

Take a look at the trailer, filmed by Chris Keenen.

The Woods Trailer from Jane Packman on Vimeo.

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In the last of Grand Union‘s Live Acts and Sound programme, artist duos chris+keir and Melville Mitchell will present an evening of live, alternating performance challenges on Fri 25 February.

The duos both use ‘forced performance’ as a working method, meaning their performances go off structures, tasks, systems, rules, formulas and instructions.

‘What performs? Air fresheners, roofing insulation, bicycles, carpets and rugs, powerboats, wallcoverings, drain panels, cleansing towels, car-stereo equipment, bakeware, aquarium filters, tires, fabric, window film, woodworking knives, automotive timing chains, foil containers, audio antennae, deep fat fryers, embossing tools, mop handles, music synthesizers, casement windows’

- Jon Mckenzie, Perform Or Else (2001)

Through a combination of classic performance work, formulaic jokes and wooden contraptions, chris+keir will be searching for a punchline to ‘What is the difference between Bruce Nauman’s Walking in an Exaggerated Manner Around the Perimeter of a Square and Monty Python’s The Ministry of Silly Walks?

Melville Mitchel on the other hand, will be utilising the paraphernalia of British drinking culture, by undertaking a series of formidable tasks which place them in both conflict and coalition, together with a set of complex rules encouraging a unified thirst toward a common goal.

Doors open at 7.30pm, performance starts at 8pm

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Over the next month, Grand Union have a programme of Live Acts and Sound lined up, which kicks off this Friday, 4 Feb, with performance artist Tom Marshman.

He’ll be performing ‘The Passion of the Pole’, a controversial piece which confronts taboos of mental disorders and religion.

Clinging to a dancing pole, a sentimental character exposes itself to you, with layers of issues, a crude honesty, and a wincing humour. The pole becomes a crucifix: a site for Tom to expose and execute his anxieties.

Doors open at 7.30pm, starting at 8pm and its free admission.

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jingle bells

RoguePlay are drawing 2010 to a close with “an awkward gathering of the RoguePlay family”, including all their regular events Rhymes, Notes and our Comedy Cabaret troupe, Funbags.

Jingle Bells is taking place on Saturday 11 December from 7pm at New Life Baptist Church, Kings Heath High Street.

Entertainment will be provided by a variety of performers, including music from Irene Aserie, David Sol and Zoidberg, comedy from Lady Josephine Whittle and Darla Daygwar, improvisation from The Funbags Comedy Cabaret and The Young Actors Company, Shakespeare from ElliNoire Midhani and spoken word From Sean Colletti, Andy Cook & Lorna Meehan.

For update announcements and more information on the line-up, visit the Facebook page. The event is free, but donations will be welcomed as part of RoguePlay’s fundraising,

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After a packed month and a half, along with the summer holidays, Birmingham Hippodrome’s Six Summer Saturdays has come to an end. The series provided perfect weekend entertainment for the kids – both young and old, with a variety of performances across the city centre. We posted up a video the other week, but the Hippodrome have also taken plenty of great photos to document the festivities.

And that’s not all, the good news is, that the crew will be back for one last event, transforming the Arcadian into a Land of Fairytales on the Saturday of Artsfest, 11 September.

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Six Summer Saturdays

22nd
Aug
2010

Six Summer Saturdays Week 2 from Birmingham Hippodrome on Vimeo.

If you’ve been in and around Birmingham for the past four weekends you’ll have seen all sorts of shenanigans going on as part of Six Summer Saturdays. Shows and highlights from the best outdoor theatre have been organised by the Hippodrome, which are free to catch all over the city.

There are only two Saturday’s left in the series, but still plenty of performances to catch on 21 August and 28 August.

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Ex Cathedra 2010/11

15th
Aug
2010

Ex Cathedra 2010/11 Brochure

After their 40th anniversary last year, Ex Cathedra are continuing their success into 2010/11. Their dairy for the next few months looks pretty packed, have a browse through this season’s brochure to see if anything suits you.

Here’s a couple of things they’ve got going coming up;

3 September: Tallis’s Spem in alium and Alec Roth’s life-affirming 40 part Earthrise commissioned for last seasons anniversary, will be premiered at the Royal Opera House, London as part of the Deloitte Ignite Festival curated by Joanna MacGregor.

16 & 17 October: Ex Cathedra makes its debut at London’s Cadogan Hall on the 16th with a performance of Monteverdi’s 1610 Vespers by its Consort of ten outstanding young singers accompanied by His Majesty’s Sagbutts and Cornetts and the Ex Cathedra Baroque Ensemble. The concert will then move back up to Birmingham for a repeat on 17th at Birmingham Town Hall.

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Intrepid reporter that I am, I went along to the Fierce Start Party last week to see what Laura and Harun, the new artistic directors, are planning for the next 12 months.

If you’re not familiar with Fierce they’ve been responsible for some of the most weird, wonderful and worrying live art presented in Birmingham over the past… well, ever.

The event was covered by this is tomorrow who’ve collected together audio, video and some photos, including this interview with Laura McDermott:

and this general summation of the whole thing:

Strikingly, the artistic-directors do not know the content of the next festival, due to commence in February 2011. Over the next ten months audiences will be able to follow the development of these projects as they emerge in response to a series of visits to the city. The fruition of these journeys will culminate in the festival.

The Fierce Festival Caravan of Artists 2010-11 (as they’re calling it) includes Eitan Buchalter, Sheila Ghelani, Stan’s Cafe, Plan B, Lundahl&Seitl, Quarantine, Jeanne van Heeswijk, James Webb, Kira O’Reilly, Dominic Johnson, Manu Luksch & Mukul Patel, Denis Tricot and EXZYT.

A nice touch was the loyalty cards they handed out to everyone who attended. Some super sleuthing tells me that dates for forthcoming Fierce events are:

  • 24-26 April 2010 – Fierce Interrobang 1: Regeneration
  • 24-26 September 2010 – Fierce Interrobang 2
  • 11 November 2010 – Fierce Countdown
  • 22-27 February 2011 – Fierce Festival

And if you don’t know, now you know.

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Thursdays have been pretty stuffed with lots of good activities recently but there’s a biggie going on tonight over at AE Harris.

Fierce are hosting the Fierce Start Party with all sorts of things going on.

  • 3-9pm – food, installation, performance
  • 7pm – words
  • 9pm-late – post-party with music

What, you may be asking, is a Start Party?

It’s the beginning of an exciting journey. What will be there? Fierce Festival artists sharing tasters of their work. When’s the next festival? We’ll tell you the shape of Fierce’s next year

Exact details of what’s happening are being kept under wraps but what we do know is that this is tomorrow will be on hand to capture proceedings, bITjAM will be providing audiovisual goodness and Mama Feel Good will be providing tunes. The latter also let slip this:

I’ve heard rumours of vodka soup – lord a mercy

Indeed. Fierce party’s are usually pretty legendary and this is open to all, so don’t miss out.

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Fierce Start Party

1st
Mar
2010

This arrived in my inbox a little while ago:

Being an obedient sort, I went to the website and it seems that, having had a few months to settle into their new roles, Laura and Harun, the new co-artistic directors of Fierce are starting to let their influence hang out.

Their blog’s up and running and has a few interesting bits n bobs on it already. Harun has compiled a list of Thoughts, recollections and impressions of a city new to me (well, him) and there’s a joint post mulling the role of arts festivals generally which includes this observation:

it is increasingly the case that performance and music festivals operate as informal touring circuits; with one successful show passed like a baton from festival to festival. Although this may serve the reputation of a particular show, is this the role of a festival?

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Kate Chapman & Charlotte Goodwin - Amplifying the Map

I have to admit to be SUPER excited about the impending re-opening of the mac.  So ANY news, or any work linked to the opening, in turn excites me too.  In addition, my personal interests are deeply rooted in events which involve an element of participation – and with that in mind, I’m particularly excited to touch upon ‘Site and Sounds’.

“Site and Sounds offers a taste of the activities planned for mac’s re-opening in 2010 including workshops, walks and the premiere of a specially composed anthem for mac. mac’s Associate Artists Stan’s Cafe and Motionhouse Dance Theatre will also be presenting work as part of the summer programme including an adventure in the dark and some in-your-face dancing.”

There’s a substantial programme of events leading up to the re-opening – details of which can be found on the macartists website, as well as information on how to book for workshop places.  I was excited to see a screen-printing workshop advertised, then realised I am sadly 16 years too old to take part. Sniffle.  If you DO fit into that age category however, I think it’ll be a lot of fun!

I’m also curious about the recent theme of ‘mapping’ which keeps cropping up in projects and artist’s works of late.  This time, artists Kate Chapman and Charlotte Goodwin are exploring the mapping theme by inviting people who live, work or play close to mac to re-discover familiar places and explore places they have never visited before, sharing their thoughts and observations to create an audio map of the changing landscape.  All of these recordings will feed into an audio map – a web of downloadable audio tracks focusing on different locations in a mile radius of Cannon Hill Park.  I’m wondering if any CiB readers have experienced any other map-themed artworks/projects of late – if so, send me an email or leave a comment.

I will also be interested to see ‘Underground’,  performed by four dancers from Motionhouse Dance Theatre.

“Set within a rocking tubular structure, using physical dance, poignant imagery and surprising aerial encounters, ‘Underground’, explores the reality of train travel.”

Considering the title of the performance, I imagine it would originally by inspired by the experience of underground travel as opposed to regular trains.  How this will translate both to regular train travel as well as the open space of Cannon Hill Park will remain a mystery until the performance itself, which is happening Saturday 18th July at Cannon Hill Park at 11.30am, 1pm and 3pm.

Motionhouse Dance Theatre - Underground

Motionhouse Dance Theatre - Underground

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Friday, 05/06/09, 19:00

Ten high-backed chairs, some seating elderly people and some seating younger people, spanned the back of the stage area at The Door, the studio theatre at Birmingham Rep. Above this seating arrangement was a large screen, showing slow panoramics of the Birmingham skyline. In front of them, a gently-lit bed with a man lying down, a wheeled trolley next to him and a fan pointed at him.

A short film entitled “Hats” began. The first shot panned out to show a woman, with coarse patchy hair and a massive grin cackling as she tried on the most extravagant yellow hat with massive straw brim. She looked into the camera and said, “Yes. This is me.”

At this point, I have to admit to no longer being able to see very well due to the large amounts of tears gushing down my face – so if my descriptions fall short somehow, I apologise.

Rosetta Life is a charity dedicated to working with people who have life-threatening illnesses.  “The Magical Glow of the Co Op” was a rehearsed reading as part of the Rosetta Live celebrations that featured the work of two hospices; Birmingham St Mary’s Hospice in Selly Park and St Giles Hospice Whittington, near Lichfield. Working together, more than 30 hospice users generated a performance script that looked at the choices people face when dying and the difficulties they face when making these choices.  In the 10 chairs sat 3 professional actors (the fourth was lying on the bed), 6 hospice users and one care professional.  Throughout the reading hospice users took to the stage to perform alongside the professional actors which really added weight and poignancy (as well as some unexpected laughs) to the evening.

The performance finished with an aftershow discussion called ‘The Big Conversation – Let’s Talk About Living’.  The audience were invited to ask questions of the panel of hospice users who had taken part in the perfomance, health care practitioners and the actors who were still in character.  Until then, I had kept my eyes focused on the stage, hoping to hide anonymously at the edge of a row.  However once the lights went up, I really looked at the audience – at those people who had chosen to spend a night in the company of such a taboo subject.   The audience consisted of every economic/social/cultural background you can imagine, all sat in one small venue watching their loved ones perform, or the words of their lost loved one performed by their peers.  And there were no dry eyes.  Not one.

I feel excited that Birmingham East and North PCT were brave enough not only to fund this project, but also to enable Birmingham to become the first UK city that is making steps to talk openly about how it’s citizens positively approach life as it draws to a close, as well as how they want to be remembered. Created in Birmingham has always highlighted exciting and relevant creative ventures linked to the city, and I can’t think of a more perfect project to write about in my first post proper.  Actors, hospice users, venue and funders are all citizens of Birmingham, breaking new and important (if at times uncomfortable) ground.  This was a performance that anyone touched by illness should see, not just the friends and families of those performing.

“The Magical Glow of the Co-op” was just one small part of the Rosetta Live celebration running throughout June. It culminates in a film premiere at The Electric Cinema on 29th June commencing at 6.00pm.  To book, please contact bookings@rosettalive.org – I know I’m going to be there.

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Birmingham based theatre company Little Earthquake will be embarking on a regional tour of their brand new production in March, The Haunting. The project will look at the phenomenon of Victorian Spirit Mediums and through performance, story-telling and illusion will recreate the atmosphere, mystery and titillation of a mid-nineteenth century Séance.

hauntingintroPerformances will take place in five of the reputedly most haunted heritage properties across the Midlands: Highbury Hall in Moseley, Birmingham; The Molineux Hotel in Wolverhampton; Tutbury Castle in Burton-on-Trent; The Old Guildhall in Leicester; and Gainsborough Old Hall in Lincolnshire. Only 20 seats are available at some venues and the maximum capacity at the larger venues is 40.

Tickets are available from Oxboffice.

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Young Gifted Brum

22nd
Oct
2008

One for the younger people:

At long last The Drum is launching “Young Gifted Brum“, a free and continuous program of performing and digital arts for Children and Young People.

The launch will take place on Thursday, 6th November at 5.30pm – 7.30pm at The Drum, Aston and all Young People aged 8-18yrs are welcome to come along if they are interested in Singing, Dance, Music, Digital Art, Acting and Spoken Word to find out what will be on offer in the coming months. They do not have to have any experience and it is not just open to people who want to perform. There will be an opportunity to showcase your talents at two annual events, whether your talents lie in producing, writing, directing, delivering events or performing in them.

There will also be a free “Taster Session” that will take place at The Drum on Saturday, 8th November between 12pm and 4pm.

For more information please contact Dee on (0121) 333 2431

Taken from the Arts Council’s free mailing list, which is free and worth making use of.  I imagine it goes to quite a lot of people nationwide and it’d be great to have plenty of Birmingham (and other West Mids) stuff on it.

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