Archive for the 'Music' Category


Disco Monkey Records - new label and showcase

More news of enterprising students from BCU - four of them have established their own label called Disco Monkey Records.

They’re working quickly and have already set up a showcase for their first four signings - all West Mids-based indie acts. The showcase is at the Flapper & Firkin at 7pm on Sunday 18 May, £4 on the door and +18 only.

Playing on the night are the Lipstick Gypsies, Deeds Of The Nameless, The Vehicles and Metrognome.

There’s more information on the Disco Monkey Records MySpace and here’s the flyer.

Chris Unitt | 1 comment Filed Under: Music

Soweto Kinch & The Flyover Show

A testament to the passion and drive of Soweto Kinch, the award-winning jazz saxophonist/MC/producer/poet/writer/whatever he wants:

For one day only the entire area beneath the Hockley flyover will be alive with inspiring sights and sounds, ground breaking art and music.

For the line-up see the flyer, for other info see the Flyover Show on Myspace.

Soweto can explain the motivation behind the Flyover Show much better than me and that’s exactly what he does in this video:

For a taste of how much he’s putting into the project, check the second video where we takes he message to the (Broad) streets:

Capsule and Fierce present Julian Cope

A perfect storm of Birmingham creative scene interestingness is happening on Monday 26 May with Capsule producing an event for the Fierce Festival at the really-rather-good Town Hall (who seem to be widening the scope of the events they’re putting on).

Julian Cope will be presenting his lecture entitled ‘Ancient Worship Of The Gods Beyond Rome’, followed by a screening of ‘Haxan; Witchcraft through the Ages’ with a live soundtrack provided by Bronnt Industries Kapital.

More details and ticket buying info are on the Capsule page.

Julian Cope will be returning with Capsule for the Supersonic Festival, 11 to 13 July. Weekend tickets are available for a bargainous £65 and (limited) day tickets are now on sale too. Check their website for details but don’t dally if you want a ticket.

Pendrecht Dialogues

A very last minute notice from Sandra at Friction Arts of an event that seems to have parallels with their Reality Estate shindig.

-1

This show is the result of a project where Director Cees Bavius & writer Pieta Bot set up ‘shop’ in a disused supermarket in an urban district of Rotterdam… The performers for this show ranged from 14 to 83 years old and their here to share their stories! For some of our visitors this is their first trip outside of Holland so please join us to welcome them and see the show.

That’s tomorrow.

BASS Festival design winner

Punch Records ran a competition to design the ident for this year’s BASS Festival and the winner is Pretesh Mistry:

winner

The two runners up are here.

KTB

KT+guitar2

Indelible Ink

Katy Bennett, aka KTB, emailed to plug a couple of gigs she’s putting on at the Kitchen Garden Cafe in Kings Heath, which is worth posting as it’s not a music venue one immediately thinks of yet it could be really perfect.

Kirsty McGee on Sunday 13th April (£7 / £8) and Danny and the Champions of the World on Sunday 20th April (£5 / £6)

Pete Ashton | 0 comments Filed Under: Music

Wechtie on Broken Beat in Brum

As part of a possibly series on overlooked musical scenes in Birmingham Wechtie’s looking at Broken Beat:

Whilst the scene is dominated by artists and labels from West London, Birmingham has always had a particular and important place in the genre. There are a number of Birmingham artists, DJs and promoters who are major players nationally and have been making things happen in Birmingham for a long time now including Colonel Red, Shaun Cope and E Double D. The don of broken beat in the city though must be Bruce Q who promotes the Liquid Fusion nights, which are most people’s experience of the genre in Birmingham.

Good stuff. This mapping of the niches is a vital thing.

Pete Ashton | 0 comments Filed Under: Music

Happy Birthday Mr Hamilton!

Jazz Saxophonist legend Andy Hamilton turned 90 recently. There was a concert at Town Hall, reported on by Peter Bacon and a feature on Tuesday’s Front Row plus loads more I’m sure.

Update: He’s playing at The Drum on Sunday, starting at 12.30pm. (Thanks Patrick.)

Pete Ashton | 1 comment Filed Under: Music

Capsule news

Some bits from Jenny and Lisa Capsule came through the email. In brief…

The Supersonic lineup has expanded including Julian Cope!

They’re releasing Einstellung’s album Wings of Desire in June along with a limited vinyl release of Oxbow Duo’s live set from Supersonic last year.

And, of course, a whole gamut of keen looking gigs bringing oddness from around the world to Birmingham.

Pete Ashton | 0 comments Filed Under: Music

Johnny Foreigner’s tour diary

Johnny Foreigner kept a diary for Drowned in Sound. Here’s a day picked at random.

February 14
Glasgow, King Tut’s. We play Frisbee and listen to Joan of Arc really loud in the car park as the sun sets. Fucking hippies. The venue cooks us (the lowly £50 show support act) a three-course meal. ARE YOU READING THIS BARFLY? Tho these shows are a league above what we’re used to and the audiences are always super receptive, it seems like a lame show after Birmingham. I remember being 18 and reading an interview with James Dean Bradfield where he’d just played to, like, 100,000 people and he couldn’t get into it and thinking, you twat. Tonight I feel like James Dean Bradfield. We stay on the top-floor flat of a complete stranger in Stirling who, on arranging us in her bedroom and cooking us well impressive fajitas, disappears. She plays us a mix CD that is amaze, made by her boyfriend who is in some band we totally forget the name of the next day. Bizarre but undeniably generous. Thanks Tamy!

And here’s a video of them playing in Manchester:

via BiNS

Pete Ashton | 2 comments Filed Under: Music

Bearded Four

If you haven’t already, go download issue 4 of Bearded magazine as a free PDF.

issue4

Inside you’ll find a load of good stuff including a four page overview of Birmingham’s music scene.

Black + White = Blues

DSC_0069-Edit

This month Gary Corbett has had a photography exhibition at the Central Library Gallery of his photographs from Rush Hour Blues which he’s been shooting with great consistency for years now. You can see the whole lot in this Flickr collection and it was only a matter of time before something physical came of it.

DSC_0041-Edit

He’s also running a blog alongside the show giving liner notes and the like. The show runs until March 31st (sorry for the late notice) and is apparently self financed so if you like his work please give him your support.

Play me I’m broken

I saw the first one of these yesterday.

old joanna resize and crop

By the the rag markets, I’m not sure how successful this was because half the keyboard didn’t work and it was almost meloncholy to see a once intricte and loved object abandoned in the street.

Birmingham Frequencies

rotundaOctober 4th 1997 saw a performance by Higher Intelligence Agency and Biosphere, aka Bobby Bird and Geir Jenssen, on the 12th floor of the Rotunda entitled Birmingham Frequencies.

on this night, two hundred & fifty people went up into the rotunda for the first time, to hear a soundtrack by geir jenssen & bobby bird, made with location recordings taken from around birmingham over the previous week. visual impressions were also commissioned & projected on to the inner curve of the polo-mint shaped room.

the event was a follow-up / return invitation to an event two years previously, when hia / biosphere collaborated in a live concert overlooking tromso, norway as part of the polar music festival, a performance subsequently released as polar sequences.

A CD, with audio and video content, came out in 2004 and is available on eMusic (where you can listen to clips) and Amazon. I have ordered a copy!

Info came from my favourite American Anglophile Kevin Church.

No-no-torious

notorious logo

Looking at the Electric cinema’s newsletter I see that the Notorious Choir will be playing a gig there (do choirs gig?) on Sunday the 20th of April at 1pm. Called “As Seen On Tv” it promises “Fun and fabulous music from some televisions best loved shows”.

Lighthearted postmodern fun or symptomatic of a doomed culture bankrupt of ideas, you can decide for £8 (£6 Concs)

By the wonders of web 0.5 - Moseley Folk lineup

Tonight I am overly excited because I just found out that José González and The Bees are playing at this year’s Moseley Folk Festival. How did I find out this most pleasing nugget of news? Not on the interwebs, oh no, but via hard copy - a flyer I picked up at the Moseley Dance Workshop. The contents of said flyer are absent from the world wide web, so by the magic of photography, I bring you a photo of the flyer:I’m sure it’s gotta be much quicker and easier to put this info online than to arrange to have it designed, printed and distributed?!

Surface Unsigned


surface logo

Round one of the regional Surface Unsigned Festival ‘08 is nearly over, but have no fear sheer volume of acts they are dealing with in the midlands alone should mean there are plenty of gigs to come, if I’ve done the maths right the competition should be finished sometime in 2112.

Now each act are not going to be the-ghost-of-Jimi-Hendrix-playing-a-seven-hour-set-amazing admittedly, but this could be a great way of seeing local unsigned acts.

Tomorrow Digbeth favorite, The Rainbow (whose lack of decent website surprises me for some reason) will, play host too, Product Of This, Trial of Origin, The Singles Club, Planetman, Astro Reality, and Just Sweet Theft.

In the interest of transparency I found out about this because I will be there tomorrow (long hair, scruffy beard/stubble and waistcoat, say hello I’m nice) supporting Planetman, old friends and IMO one of the best unsigned bands in Birmingham.

As this has provoked quite the discussion, I give my report into Surface and the machinations thereof.

As I knew one of the bands at the gig last night any review that I do will have a bias. Anyway the structure of the event and competition as a whole is far more interesting, and by interesting I mean sketchy.

First of all I want to qualify my criticisms with the insistence that I did have a good time last night. Six pounds isn’t a massive price to pay if the money was going to the bands or covering costs. And I still think there is a case to be made for showcase style show with six or so bands playing twenty minutes each.

Walking in the gig wasn’t packed, Surface don’t really do any promotion, that they leave to the bands to do themselves, expecting each band to sell 25 tickets each;

“As you must bring with you at least 25 people to your event you must sell at least 25 tickets for each round you play. If you do not sell 25 tickets you will still be allowed to play however you will NOT progress to the next round no matter how many Surface Ratings you receive.” (From the bands information pack, clause 2 in the terms and conditions. Italics mine, bold theirs)

From how empty the venue was, it meant a lot of bands must of eat shit on ticket sales and bought them themselves, you also only get the money back from tickets sales if you sell all 25 which is even then only a pound a ticket. So for 25 £6 tickets, the bands get £25 and Surface gets £125 now there are a minimum of six band at each gig so that means each gig they get a minimum of £750 (not to much maths I hope, my head kinda pickled as it is but I will push on regardless), now the first round of the Birmingham heats there are 38 gigs, which adds up too £28,500! just for the first round, all this, according to the booklet, going towards

“Sound engineer, Venue, Booth Operative, Security, Bar staff, PA, Lighting etc”(bold theirs)

From what I saw last night, lighting and PA was the venues own, bar staff provided by the venue also, there was no security. All the other stuff amps etc were provided by the sponsors, and to be honest the lead guitars speaker actually catching fire during the set isn’t the hugest endorsement for their products.


One thing the money does pay for is a female MC with a speech impediment reading out the bios of the bands about to go on, like a school assembly where the head teacher doesn’t really know what’s going on. I’ve got nothing against speech impediments but if I were paying nearly thirty grand for a MC I want some smooth talking shit going on, y’know?

Another criticism is the choosing of the bands the whole night was Rock/Ska/Pop, which means the Screamo band put in the second from last slot was never going to get as many votes seeing as they drove most of the crowd to the connecting bar. In fact the esoteric voting system is so much BS I won’t go into it in detail, needless to say the MC’s main job was to push the text voting, seeing as the other voting was the highly scientific system of raised hands and I wouldn’t trust this broad to count her children in the car on the way back from Alton Towers.

I would love to see the same structure applied to a regular night were six or so unsigned band played half an hour each and split the door, giving relatively new bands a chance to cut their teeth and punters a regular night to sample a section of the local scene.

Acoustic Fest 2008

Island Bar Acoustic Fest 08

Island Bar is holding an all-day acoustic festival from 1.30pm on Easter Sunday (23rd March).

Bearded magazine includes West Midlands music scene special

The current issue (PDF link) of Bearded magazine, includes a feature on the West Midlands music scene, more specifically Birmingham and Coventry.

The feature is a handy round-up of the bands to watch as well as local promoters, venues, club nights and record shops.

via Rich Batsford

Local musician and blogger warns of music-related hearing loss

I hate to get all serious on you in my first proper guest post, but local musician and blogger Christopher Woods has been on the telly to warn musicians and music fans to protect their hearing.

From the BBC article:

Christopher Woods, a musician from Birmingham who is training to be a sound engineer, has already, at the age of just 21, experienced damage to his hearing caused by playing and listening to loud music.

He said: “The damage is permanent. I have been told my hearing will never improve.

“Many people who have been working in the industry for a long time have a sustained level of hearing loss, and it is too late.”

Personally, I do believe that my hearing has been damaged from years of gig-going and clubbing. Does anyone think that promoters/bands should be making earplugs available at their gigs?

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