Created in Birmingham

Yesterday, Joanna Geary bought a copy of The Times from 15 April 1876. There’s an article on page 10 called ‘Birmingham Improvements’ which refers to the Artisans’ Dwellings Act:

In case it’s tricky to read, the second paragraph says:

The scheme in respect to which the inquiry was held has already been described in The Times, and it is enough here to say that it involves the sweeping away of nearly a hundred acres of dirty, dilapidated, ill-ventilated, and unhealthy dwellings, chiefly occupied by artisans and the poorer class of tradespeople, to the number of 16,000, and the opening up of a new and more direct communication between the east and centre of Birmingham by carrying a new and spacious thoroughfare through the condemned districts.

Birmingham’s bidding for the title of City of Culture in 2013 and as a result a couple of attempts to get your feedback have been launched.

Big Blank Canvas

Big Blank Canvas is a project managed and devised by Fierce (on behalf of the council who are responsible for the bid itself) which, in its first version, is asking people:

• What do you do in your cultural life in Birmingham, and where?
• What would you like to see happen as part of Birmingham City of Culture in 2013, and where?
• Where would you like to have a cultural experience in Birmingham?

The second question has generated the most interesting ideas so far. Here are a few that jumped out at me:

a touring show for kids and families playing a different suburban park every weekend in the summer hols; with locals creating and participating (from Rob)

Literal street art – a day with no traffic when the streets can be used as a gigantic canvas by communities all over the city, free balloon flights to view the full effect… (from Mark Scourse)

Shut down all the major cultural institutions for a month and promote/support cultural events and activities across the outer city in non traditional venues (from The Blade)

The aim is for the site to be up in this form for the next couple of months, after which it’ll change somehow – responding to the ideas people put forward.

There’s also a Facebook Page and Twitter account you can follow to keep up with what people are suggesting.

I should also say (for the purposes of disclosure) that I’ve done some work with Fierce on the concept/design behind this one.

Cultural Birmingham – Have Your Say!

This is the bit that has been aimed specifically at under-25′s. Antonio Roberts was asked to get involved with the steering group for this and has written up some info about it. Again, it’s an online consultation exercise:

There is a three-page questionnaire that young ‘uns can fill out, but more interestingly I think it’d be better to get involved in the discussion on the Facebook Group (liek wot all da cool kids iz doin)

G’wan, have a go

Irrespective of the City of Culture bid, it’d be nice to show that folks around these parts really care about the cultural life of the city they live in and have some good ideas for how to build on/show off what we’ve got. Go nuts and use this to air your wildest dreams, fervent passions or give a mention to those things that you’ve seen elsewhere and wish would happen in Birmingham.

The Arts Council recently asked for regional submissions to win a significant pot of money under the title ‘Artists Taking the Lead’ - linking into themes of the Cultural Olympiad, and leading up to the 2012 Olympics.

The first selection process has happened, and details of the potential regional winners have been announced and can be found here.  Unsurprisingly, all of the West Midlands shortlisted are designed to happen in Birmingham (with perhaps the exception of Imagineer Productions – which doesn’t specify, but has obvious Coventry connections?) and so it seemed relevant to point it out to the CiB readers and point you to the site where comments are invited on which idea excites you the most.

I have rather strong feelings on the selected few and would be curious to find out what you all think.  If any particularly strike you (either positively or negatively!) then feel free to leave a quick comment below explaining why.

Okay.  Still trying to creep back into things after spending ludicrous amounts of time in a darkened room with no technology to make me worse.  If I’ve missed your ‘thing’ then sorry, and if you have a ‘thing’ you think is good, tell me about it!

In the meantime, two things that compliment one another have come to my attention.

Firstly, an opportunity:

INTER?OGATION: WALSALL

Call to Artists:

Your mission, should you choose to accept it, is to become a secret agent for a day in order to interrogate the public spaces of Walsall.

Using the New Art Gallery Walsall as a base you will investigate the artist’s role in the post-industrial world through one of four methods:

INTER?OGATION: ACTION RESEARCH     (09/09/09)
INTER?OGATION: CONSULTATION         (16/09/09)
INTER?OGATION: COLLABORATION     (23/09/09)
INTER?OGATION: INTERVENTION         (30/09/09)

INTER?OGATION: WALSALL explores the impact that one artist (you) can make in one place, in one day.

This programme of work is organised by Longhouse and the New Art Gallery Walsall, working with lead artist Anna Francis (who can also be found here), and is designed to investigate the impact of short, sharp interventions within the public realm.  Deadline for expressions of interest is fairly soon – 12pm Friday 28 August 2009 - so go visit the site to find out more.

Secondly, I really enjoy the idea of creative practice being fused with more spy-like activities – interrogations and investigations.. where everyone gets to be a secret agent and have their own missions!  So for those of you whose toes are curling at me daring to mention WALSALL in a CiB post, I wanted to temper that with a signpost towards a great Birmingham artist – Nikki Pugh. I feel she really embodies this excitement within her practice, but best of all has taken the time to document in detail how she’s used this approach with great effect in her “How to Wow” series.

Do you know of any other local artists who work in this way?

Thanks for the thoughts and input into the future of CiB.  I hope it didn’t seem I was suggesting it be disbanded – I wanted more to open up debate on how technology itself has moved on from when CiB began and that the direction/organisation/intention of CiB needs looking at.  Your suggestions have been very interesting and insightful – many of you proposing things I have been musing over anyway (eg. a collaborative approach, funding avenues, etc.) and in the next few weeks I’m going to be following some of these things up.

In the meantime, Birmingham’s creative communities continue to toil away and many things have been going on.  Here’s a snapshot of where we’re at right now!

‘Hey for Lubberland!’ can be spotted gracing the canals around Brindley Place.  This work, by Simon and Tom Bloor (and part of Ikon’s off-site projects) will be in situ on the towpath behind Bank Restaurant in Brindleyplace until 13th September 2009.  Visitors can be transported by this working barge, and whilst onboard peruse the floating library of utopian design.  The title ‘Hey for Lubberland!’ was derived from a 17th century English ballad about the New World, mistaken for utopia, but in fact a kind of fool’s paradise.  You can be transported between 13:00 and 17:00 on Tuesdays – Sundays, and best of all admission is free!

If you’re interested in creative networking opportunities, then there’s a new group which will have it’s first meeting on August 13th.  Creative Playground is being organised by Steve Gray and Kate Manion, and offers:

..a chance for people who work in a professional capacity in the creative and digital sectors to get together for drinks and a chat, make new friends and hopefully make some new collaborations as well. Ultimately it is about strengthening the city’s creative community and we’ll be looking to the RDAs and various bodies for support to help us do this.

It looks like a slightly different group of people to those you might meet at BSMC etc. and will hopefully prove rather interesting!  You need to signup with meetup.com and then apply to become a member as there is a selection process as explained here:

The ground rules of joining are: 1) You must be in a professional role within the creative industries, 2) You or your business must be located in Birmingham, 3) You must fill out all the introductory fields in your profile with sufficient detail, 4) You must upload a photo of yourself to your profile. No company brands etc.

Also on Thursday 13th August is the private view of a brand new collection of work, entitled SAMPLE:

New work has been created by a range of Midlands artists including Daniel Westwood, Martin Donnelly, Matt Clugston, Steve Ellis, and Joe Mitchelmore.  The work will be available to view online after the launch at the SAMPLE website, so even if you can’t make it you don’t have to miss out!

And lastly, so that this post isn’t completely ridiculously long, on a transatlantic note, Birmingham-based photographer Chris Keenan (who recently featured in the Visual / Art of Ideas 2 exhibition) has had a piece of work selected for a world-class international exhibition, Art of Photography.

This year they received 16,000 entries from 57 countries.  111 images were chosen for the final exhibition and Chris Keenan’s Franz Joseph Glacier (above) was one of them. The selection was made by Charlotte Cotton, curator and head of the Wallis Annenberg Department of Photography at the Los Angeles County Museum of Art (LACMA).

If you’re likely to be in and around the San Diego area any time between 29th August 2009 and 1st November 2009 then stop by the Lyceum Theatre Gallery and marvel at some Birmingham talent!

The Event - 2007

The first two weeks of April 2007 saw the culmination of a series of artist-led activities within Birmingham, and this was ‘The Event‘.  At that point in time, the number of artists choosing to stay and work within the city had increased, and an intensification of artistic production had taken place.  It felt very much like Birmingham projected a unique sense of identity, and it was easy to believe that the city held great potential.

Consisting of exhibitions and performances devised by ten of the brightest young visual art organisations in Birmingham at that point in time, the sixteen-day celebration focused on a myriad of event-based practices and exhibitions in such a way as to implicate the whole city into its logic.  Participating organisations included: a.a.s., Capital Art Projects, Colony, [insertspace], International Project Space, Modulate, Periscope, 7inch Cinema, Spectacle, and Springhill Institute.

A lot of interesting work took place, and indeed some of these organisations have developed and flourished (surely most notably 7inch Cinema) – but those without links to their work above, and even some who do have links, are either no longer working as artists / arts organisations, or have begun working under different names without leaving on online breadcrumb trail for me to follow.

In 2007, whilst not all that long ago, there was a definite sense of optimism and indulgence in the arts and arts practice – much moreso than we now have in 2009.  The recession will inevitably have played a large part in this shift, with organisations cutting back or closing down – but what other changes has Birmingham faced that has brought us to this point, so different to that of 2007?  Is there still intense artistic production?  Do people still believe that Birmingham has this great potential?  Have artists changed their practice in response to the current financial climate and retreated back into their stereotypical draughty garrets?

In a timely fashion, The Event has returned once more to open up and explore contemporary art making.  Through an open submission process, artists are invited to send proposals to be included in the November festival.  The deadline for proposals is quite soon – July 13th – but submissions can also be emailed.  I’ve included the details taken from the website below, but please send any specific queries to kaye@the-event.org I will be keen to see which artists are selected, and how their practice reflects the current mood of the city – and also how different the artforms will be, if at all.  Will The Event be inundated with digital submissions, and will there be any entirely virtual submissions running concurrently?

Open Submission

Deadline Midday 13 July 2009

The Event is a contemporary arts festival in Birmingham, showcasing the best in artist-led activity.

We are currently seeking proposals and submissions from artist projects and artist/curators in the Midlands for inclusion in The Event, November 2009.

Proposals with a budget of up to £2000 can be considered. Deadline for submissions is midday on Monday 13 July, proposals received after the deadline cannot be considered.

Proposals must include the following information:
Project proposal (maximum 200 words)
Brief biog/CV
Indication of project costs
Supporting material

Postal applications should be clearly marked:
BCAF Steering Group
The Event
Eastside Projects
86 Heath Mill Lane Birmingham
B9 4AR

NB. Please enclose a SAE for return of material.

e-mailed application should be compiled into one document and emailed to:
kaye@the-event.org

Please contact Kaye Winwood 07834 244 609 or email kaye@the-event.org with any queries.

I’ve often wondered why museums and galleries aren’t using their web presence in more innovative and useful ways.  I worked within a gallery for a number of years, and this gave me the unsurprising insight that many factors contributed to this: underpaid overworked staff, simply no capacity (in terms of time) to explore new avenues, gallery staff restricted to working within strictly defined roles with little room for experimentation, and those who do maintain the web side of things being under supported and in need of upskilling.  Plus above all, there are many challenges facing gallery collections (from conservation to valuation to interpretation and beyond) that the additional pressure of creating new ways of accessing that information sits at the bottom of anyone’s agenda, particularly when it could just end up as a copyright/intellectual property/Digital Rights Management nightmare.

Finally, Birmingham Museum and Art Gallery have been brave enough to tackle these issues head on with the decision to publicly release their world-class Pre-Raphaelite collection, the largest in Europe, becoming the focal point for this work.  With assistance from JISC, BMAG appointed Birmingham-based digital agency TAK! after a five way pitch to design and develop a website application to achieve their goal.  And the resulting site is a beautiful, delicate and sensitive piece of design.  Visitors will be able to access high quality content which will enable schools, universities, and the general public to have a greater understanding of the collection in their own time, and in their own space – which in turn could encourage new visitors and raise the profile of the museum.

“TAK! have helped us create the largest online Pre-Raphaelite collection in the world” concludes Linda Suprdle, Project Manager at BMAG. “It’s a fantastic resource and provides an unparalleled level of access and quality to the works on display. Anyone with an interest in art should visit the site and discover the importance of the Pre-Raphaelites.”

I hope that this project will encourage other museums and galleries to consider making their collections accessible online.  They have the opportunity to create such valuable learning resources which could cross so many diversity and access barriers, and it seems a shame that the majority of artworks only ever see the light of day if and when a curator deems them relevant enough. Using online technology, all collections could eventually be available to view regardless of current exhibition theme!

If and when that does happen, I will be interested to see how the role of ‘the curator’ responds to that change.  The Pre-Raphaelite collection site already encourages users to create their own personal collections, so how far a leap would it be for people to share those collections and reasons for their choices with other users?  Imagine an itunes playlist or an amazon reading list – but for art, complete with personal interpretations, anecdotal thoughts, factual evidence and academic input.  THAT would be something I could become obsessive about!

So how many of you were awake at 4am on the 04/04/09?  And how many of you visually documented that moment?

As was previously mentioned here on CiB, the 4am Project is the genius concept of Karen Strunks, a Birmingham photographer who singlehandedly convinced thousands of strangers across the world that it would be a great idea to stay awake/get up at 4am to document that moment for no other reason than to be part of a larger group of people doing just that.

And people, in their droves, agreed that it was a great idea and stayed up (or set their alarms, like me!) and took photographs and sent them to the 4am website, or tagged them on Flickr so that everyone could see a snapshot of the world, of their world, at such an uncomfortably late/early hour.  Who knew you could create such extensive social capital before breakfast?!

Building upon the success of the previous event, 4am photos have continued to flood in, without being prompted to do so – and Karen has now decided it’s time to coordinate another 4am en masse.  The date of the next event is: 21/06/09.  (And in case you somehow missed it, the time will be 4am, and the place will be wherever you are!)

In addition, the 4am Project has been nominated for the Digital Press Awards, and if you think (like I do) that this project is a fab idea and a lot of fun, then vote for it to win!

Only 3 short months after their launch, Fazeley Studios are now hosting their own digital festival which aims to bring together the city’s creative businesses through a variety of events, including the usual seminars, debates and networking opportunities, but also including Fazeley’s own innovative slant of unconferences, swap shops and media mash-ups including Second Life, Twitter and live video streams.

The event which has most piqued my curioisity is entitled “My Dad’s on Twitter but he doesn’t know why”.  More than just another opportunity to ‘talk shop’, this event promises to collate the ideas and input of attendees into a collaborative group mind map exploring how and why people use social media.  In addition, after the event there will be an opportunity for an online audience to have input into the map as well.  I’m keen to see how this will utilise Bubbl.us – something I stumbled across earlier this week, and which looks like another great free tool.

The event which has most piqued my TASTEBUDS however, is definitely the festival finale – a grand high tea for 300 creative workers in Fazeley Studio’s magnificently restored 19th century chapel reception.  Fazeley currently provides a high tea for tenants every Thursday and have decided to build upon the success of this for the festival.  I’ve been promised there are exciting and secretive things planned for this event which will be unveiled on the day, but if the promise of the tea alone isn’t enough of an incentive, there will also be a preview of the latest Ikon Eastside exhibition – an installation by an emerging Chinese artist called Xu Zhen.

For more details on all of the events taking place during the festival, the Fazeley Digital website will keep you in the loop,  as well as provide opportunities to sign-up for certain events and provide feedback/interact with others.

Friday, 05/06/09, 19:00

Ten high-backed chairs, some seating elderly people and some seating younger people, spanned the back of the stage area at The Door, the studio theatre at Birmingham Rep. Above this seating arrangement was a large screen, showing slow panoramics of the Birmingham skyline. In front of them, a gently-lit bed with a man lying down, a wheeled trolley next to him and a fan pointed at him.

A short film entitled “Hats” began. The first shot panned out to show a woman, with coarse patchy hair and a massive grin cackling as she tried on the most extravagant yellow hat with massive straw brim. She looked into the camera and said, “Yes. This is me.”

At this point, I have to admit to no longer being able to see very well due to the large amounts of tears gushing down my face – so if my descriptions fall short somehow, I apologise.

Rosetta Life is a charity dedicated to working with people who have life-threatening illnesses.  “The Magical Glow of the Co Op” was a rehearsed reading as part of the Rosetta Live celebrations that featured the work of two hospices; Birmingham St Mary’s Hospice in Selly Park and St Giles Hospice Whittington, near Lichfield. Working together, more than 30 hospice users generated a performance script that looked at the choices people face when dying and the difficulties they face when making these choices.  In the 10 chairs sat 3 professional actors (the fourth was lying on the bed), 6 hospice users and one care professional.  Throughout the reading hospice users took to the stage to perform alongside the professional actors which really added weight and poignancy (as well as some unexpected laughs) to the evening.

The performance finished with an aftershow discussion called ‘The Big Conversation – Let’s Talk About Living’.  The audience were invited to ask questions of the panel of hospice users who had taken part in the perfomance, health care practitioners and the actors who were still in character.  Until then, I had kept my eyes focused on the stage, hoping to hide anonymously at the edge of a row.  However once the lights went up, I really looked at the audience – at those people who had chosen to spend a night in the company of such a taboo subject.   The audience consisted of every economic/social/cultural background you can imagine, all sat in one small venue watching their loved ones perform, or the words of their lost loved one performed by their peers.  And there were no dry eyes.  Not one.

I feel excited that Birmingham East and North PCT were brave enough not only to fund this project, but also to enable Birmingham to become the first UK city that is making steps to talk openly about how it’s citizens positively approach life as it draws to a close, as well as how they want to be remembered. Created in Birmingham has always highlighted exciting and relevant creative ventures linked to the city, and I can’t think of a more perfect project to write about in my first post proper.  Actors, hospice users, venue and funders are all citizens of Birmingham, breaking new and important (if at times uncomfortable) ground.  This was a performance that anyone touched by illness should see, not just the friends and families of those performing.

“The Magical Glow of the Co-op” was just one small part of the Rosetta Live celebration running throughout June. It culminates in a film premiere at The Electric Cinema on 29th June commencing at 6.00pm.  To book, please contact bookings@rosettalive.org – I know I’m going to be there.

Now, I know Christmas is long gone and forgotten but I had to post this festive treat. Geist der Weihnachtsvergangenheit is loosely translated to ‘Spirit of Christmas past’, and is the title of this beautiful video shot at last year’s Christmas German market. It is shot by Vimeo user Old Dead Eye and shows the city at its cinematic best.

Geist der Weihnachtsvergangenheit from Old Dead Eye on Vimeo.

The Birmingham Bloggers Group will be hosting their third free social media surgery for voluntary and community groups next Wednesday, January 28th at BVSC 138 Digbeth, B5 6DR, (map). You can drop in anytime between 5.30pm to 7.00pm. Volunteers will be on hand to offer free advice to anyone who is curious to how tools like blogs, podcasts, video and social networks could help to their organisation, community group or charity. The surgery will be: No boring speeches or jargon just hot drink and some friendly advice.

I have a particular interest in how small organisations can use all this ‘internet stuff” to promote themselves so I will be going along for the first time to offer up my bit of knowledge and heaps of enthusiasm to anyone who needs it.

A project that has been taking shape for the past year is just coming to completion with a film, book and exhibition. The project

records the personal life of Birmingham’s most iconic building, unveiling the many human stories that have influenced and shaped its existence.

The exhibition can be seen at:

• the Central Library (6th floor) from 2 June to 5 July
• Three White Walls Gallery, The Mailbox 14 June to 15 July

The book includes a DVD of the film and is available at The Art Lounge in the Mailbox and at the RIBA Book Shop.

Jon Bounds has covered this in more depth than I could both on BiNS and on his Birmingham Post blog, both of which deserve your attention.

The results of an interesting collaborative project, carried out in 2007, are just coming out. The project used the question ‘what does this city really look like?’ as a starting point.

Locations were shared-out between a team of ‘photographers’ (none of them are photographers) according to a grid imposed over the area.  The photographers were free to capture whatever they wanted at their location, but it was the grid that determined the locations in the first place.

You can browse the photos on the Birmingham Photographic Project website and it’s worth a look.

The results of the project are being presented in stages – the website being th first with a (limited-run) hardback book and a public exhibition both not far off official announcement.

Wolverhampton-born graffiti artist Temper has won a national competition to create a sculpture that will be installed at The Cube – the final phase of the Mailbox.

He’s now looking for six people to help bring his vision to life and is touring the Midlands looking for suitable candidates. He’ll be calling at:

• Mander Shopping Centre, Wolverhampton – 8 May
• Paradise Forum, Birmingham – 9 May
• Solihull town centre – 10 May

Or you can nominate yourself or someone else online via the Mailbox’s website.

I first came across Temper via the Headcleaner Sessions mixtapes on his site (especially the K Delight and DJ Noize ones) which still seem to be there. He’s recently been feted by the Sunday supplements, had a design used on a Sprite can and decorated part of Saatchi & Saatchi’s London offices. The owners of The Cube weren’t wrong when they describe him to the Birmingham Post as “one of the country’s most exciting young talents”.