- Bintley triumphs at South Bank Show Awards
“Birmingham Royal Ballet’s David Bintley held off stiff competition from Britain’s Got Talent winners Diversity and fellow ballet Limen by Wayne McGregor to win the dance category at the final South Bank Show Awards for E=mc2″. Quite right, it’s an incredible production - An Endless Supply | Issue 9 Online
New issue of the rather good zine. “You will (eventually) be able to pick up copies from Spike Island, Ikon Gallery, Eastside Projects, Outpost” - Birmingham Conservation Trust’s new project is Bells Farm in Druids Heath
“The Conservation Trust has been granted £14,000 of funding from English Heritage to carry out an architect’s appraisal at the 17th century Bells Farm in Druids Heath” - West Midlands Heritage Strategy – Audiences Central
“A strategy setting the overall direction for the heritage sector in the West Midlands has been laid out by the West Midlands Historic Environment Forum” - Councillor Mike Sharpe – Birmingham City Council
Mike is available for speaking gigs. Specialist topics – Birmingham’s artistic and cultural vibrancy - Commercially Inviable Records » New World of Fox download – “Tiny Children”
From the monthly free download series – “next up is “tiny children” which was originally by the teardrop explodes” - Über Brum: Über Brum in Print.
Nice one Über Brum - Museums hit by ‘perfect financial storm’ – The Independent
“Nearly 40 institutions are under threat or have already closed as lottery funding bonanza ends and credit crunch bites”. The Aston Transport Museum is named as one such that’s apparently under threat of closure - Writers Wanted « The Blue Whale Blog
“can you write about music without sounding like a complete plonker?” Get in touch with the good folks of the Blue Whale Blog if you can - Sion Simon resigns as Minister and MP – Tom Watson MP – Birmingham: It’s Not Shit
“Sion, MP for Erdington and Minster for Culture Media and Sport is standing down”. He fancies a run at being Mayor of Birmingham, apparently - Laveyloo – AlphaBrum
“the alphabet using google maps for areas in Birmingham”. Spot the buildings. - Change of Chair at Arts Council England, West Midlands – Audiences Central
“After almost eight years, Dorothy Wilson stood down as Chair of Arts Council England, West Midlands at the end of 2009, making way for Peter Phillips”
Archive for February, 2010
I was in Coventry at the Institute for Creative Enterprise (home to companies like Imagineer Productions, amongst others) when I spotted the Stan’s Cafe theatre pledge cards sitting in a tidy pile on the reception desk.
The process by which they came to be there is quite compelling and seems to have gone something like this:
- Attend talky get-together
- Have idea
- Take action
Whether they achieve their stated aim or not doesn’t matter. If nothing else they stand as evidence that 2 (coming out of 1) can lead to 3.
Tangent – this reminds me of the bit in Scott McCloud’s utterly excellent Understanding Comics that talks about the action all happening between the panels.
This isn’t new, not by a long stretch, but I’ve only just found it. You may well be aware that Acme, based in the Jewellery Quarter invented the whistle. Or at least founder Joseph Hudson did, back in 1883.
So Acme make whistles. Millions of them a year. For everyone. That’s impressive.
Almost as impressive as this contraption – a two-man flying whistle called the Acme Meteor:
The idea was to drop it from 10.000 feet and have two parachutists pilot it around in a spiral. In the process it would break the world record for the loudest ever whistle.
That was back in 2003. I couldn’t work out whether anyone has ever flown it (and nor could Tom Whitwell when he looked at Acme). Given that there’s some doubt, I think we can assume it hasn’t happened.
I imagine they get a bit of stick over the company’s name, but when they make something that you could easily imagine Wil-E-Coyote riding to his doom then you’ve got to think they bring it on themselves. Which I think makes them even more wonderful.
The rumours of the past few months have been confirmed, with news that the Factory Club will be shutting up shop appearing on the Eclectricity Facebook group:
Unfortunately, the rumours are true…The Factory Club (formerly known as Medicine Bar) at the Custard Factory is closing down….. The new decade heralds a different direction for the Custard Factory and that is the development of the site as a more of an office based environment. As a result, the dark underground club space set around the charismatic lake in the courtyard of the Custard Factory will be winding down as potential investors look at the space along the lines of restaurants/studios etc…
Lakeside Marquee events will still happen for one off special events but these will be fewer and far between…. but it’s not all bad news…. Music events will still take place in Space 2 (the Custard Factory Warehouse) which has had a new overhaul and the development of the railway arches….. This is an exciting prospect in itself and no doubt will be the location for many good times ahead! However, the days of the Factory Club space (The former Medicine Bar) and Kitchen being the regular host to your hedonistic night out are unfortunately numbered!
Not everyone’s happy about this. Those on the Drum & Bass Forum certainly aren’t. Elsewhere, decisive action has already been taken, not just with a Facebook group, but with a page too. Head there for more than your daily recommended limit of badly spelled expletives, CAPITAL LETTERS and exclamation marks!!1eleven!! Actually, the description of the Custard Factory’s residents as ‘suits’ made me chuckle.
I know there are plenty of long-suffering (rent paying) suits in the Custard Factory who’ll be jumping for joy at the news, no longer having to turn up to a building that smells of urine each Monday morning.
On the other hand, the city is going to have one less decent music venue – events staged at the Custard Factory pulled in thousands and did a lot to promote the good name of the city.
Check the Eclectricity Facebook group for details of who’ll be playing the Eclectricity End of an Era Weekender, 2-4 April.
(Nod to DiG who spotted this before me UPDATE – now also featuring incisive comments on the distinction between ‘Custard Factory’ and ‘Factory Club’ and the possible effect on visitor footfall)
I’ve been hoping this would surface online somewhere. For Capsule’s 10th birthday Film Ficciones created a little celebratory film. I’ve seen it a few times now and I’m pretty sure I’ll watch it a few more cos it’s great.
During my first stint on Created in Birmingham I had a nagging feeling that there was loads of good dance stuff going on but it was all happening under my radar. I’m pretty much on top of it these days, partly for the reasons given in the disclaimer at the bottom of this post but mainly because there’s so much dance stuff happening around the city this year.
Anyway, from tomorrow until Sunday, British Dance Edition – a biennial showcase of the British dance scene – is in Birmingham. It’s a big deal, with loads of venues hosting performances, events, presentations and debates. It’s a national showcase, not a local one, but there’s a fair bit of local interest:
- Rosie Kay previewing her new piece, 5 SOLDIERS – The Body Is The Frontline
- DanceXchange showing some of their work on The 5 Man Show
- Listen by Ace Dance & Music
- Funny Bones, from dX and Two’s Company Management
- Receptions hosted by International Dance Festival Birmingham, Birmingham Royal Ballet and People Dancing.
- Walking tours of the city for delegates (Digbeth and the Jewellery Quarter)
There’s probably more too. Most of it’s for paying delegates only but there are some good public events too.
Disclaimer – I’m working on/at British Dance Edition (incl one of the debates) and International Dance Festival Birmingham. WestMidlandsDance.com is one of my websites too.
The other day someone described CiB as ‘a little ray of sunshine in [their] RSS reader’. I’m going to take time out now to ruin that by talking about funding cuts and such. Sorry. If it’s any consolation I’ll end the post with a picture of a bunny.
The other week West Midlands Regional Observatory brought out their latest recession snapshot. For the cultural sector the figures weren’t bad:
the cultural sector continued to see increases in numbers of customers through the door in the last three months of 2009, building on the unusually high increase in footfall seen over the summer.
Strong audience figures suggest the value placed on culture by the general population has only increased during the economic troubles
However, people are expecting cuts – 72% of respondents being ‘less optimistic’ about the stability of core funding compared to a few years ago. Quite right too – on a daily basis you hear politicians dodging around the c-word like [insert inappropriate simile here].
Jeremy Hunt, the shadow culture secretary, has gone some way towards setting his stall out (could The Guardian have found a pic of him looking any more smug?), saying (and I paraphrase hugely):
- arts administration costs need to be hacked back to 5% of any cash government hands over
- they’ll introduce a US-style culture of philanthropy by encouraging tax breaks on lifetime giving
- The national lottery would be returned to its original good causes (which includes arts)
- they’d get rid of audience development targets in the arts
Some might find encouragement in some of that, although he did add:
I wouldn’t say that everything that happened under the last Conservative government was good
So nevermind.
The philanthropy thing has been jumped upon and was clearly at the forefront of people’s minds on a recent Cultural Leadership Programme session, as blogged about by Friction Arts in a post called Preparing for a Cultural Nuclear Winter.
On the Stan’s Cafe blog James gives the benefit of their experience and says:
Big UK arts institutions are already doing all they can to raise sponsorship and court donors, it’s not as if a funding cut is ‘required’ to prod them into action. [...]
In short, the US model is deeply flawed and we are a million miles away from being able to deliver that model as well as they do.
As things stand the figures, for the West Mids in particular, support him, the Birmingham Post pulling the numbers from analysis by Arts & Business. The headline numbers there being that in the West Mids private investment dropped 25% over the last period, while the national average was a drop of 7%.
A&B chief Colin Tweedy said that:
We would like to be optimistic but predict the worst is yet to come
Here’s the bunny:
- Our vacancies | Arts Council
Arts Council West Mids are recruiting Relationship Managers for theatre, dance, digital & creative economy, literature and music - Artist Opportunity: mac-lab
“mac invites applications from artists in all disciplines to apply for an intensive lab based residency at our new facilities in Birmingham. We want to hear from artists that are interested in working outside of their normal practice or ‘safe’ area. Open to any form of practice – we want applications from musicians, film-makers, visual artists, performers, live artists, photographers, digital media practitioners and anyone working across media” - Engaging regional audiences – how do we do it? : Capsule Blog
“We’ve just come back from a Birmingham City Council consultation meeting about the cities ‘Music Industry’. Over the 10 years we’ve been doing Capsule related activity we’ve been invited to a fair few of these things and still very little seems to have moved on”. There’s a good discussion going in the comments, go have a look - TheBusinessDesk.com
“Regional Business Information for the West Midlands”. Not very creative or anything, but worth a mention IMHO









